Spring 2011 Exhibition
April 30th to May 2nd at New Oriel Hall - Larkhall
Artists taking part:
Felicity Roma Bowers
My images propose questions and paradoxes rather than suggesting answers. I aim to explore visual and emotional responses, trusting in visual qualities to communicate. I work with printmaking, painting and drawing in a mixture of media.
http://www.felicityromabowers.co.uk
My images propose questions and paradoxes rather than suggesting answers. I aim to explore visual and emotional responses, trusting in visual qualities to communicate. I work with printmaking, painting and drawing in a mixture of media.
http://www.felicityromabowers.co.uk
Jenny Brindley
In these compositions I’m exploring different textures and patterns - both natural and manmade - and experimenting with using combinations of liquid and transparent enamels to transform the metal beneath.
Website: http://jennybrindley.weebly.com
In these compositions I’m exploring different textures and patterns - both natural and manmade - and experimenting with using combinations of liquid and transparent enamels to transform the metal beneath.
Website: http://jennybrindley.weebly.com
Paul Brokensha
I enjoy experimenting with the endless contrasts, colours, patterns and textures to be found in the landscape: sometimes bold, sometimes subtle, but never boring. Painting is a journey from one beginning to the next.
paulbrokensha@yahoo.co.uk
http://trinityartists.co.uk/PaulBrokensha.aspx
The Clearing – 2010
I enjoy experimenting with the endless contrasts, colours, patterns and textures to be found in the landscape: sometimes bold, sometimes subtle, but never boring. Painting is a journey from one beginning to the next.
paulbrokensha@yahoo.co.uk
http://trinityartists.co.uk/PaulBrokensha.aspx
The Clearing – 2010
Patricia Clothier
My main interests are life and landscape painting. The shapes that occur in
both have a fluidity that I find both peaceful and attractive. I mainly work
in oil.
My main interests are life and landscape painting. The shapes that occur in
both have a fluidity that I find both peaceful and attractive. I mainly work
in oil.
Judith Cole
Judith Cole is a printmaker producing etchings, linocuts and wood engravings.
Her work is inspired by landscape, nature and medieval allegorical symbolism.
Telephone: 0795 229 3755
e-mail: judithinbath@hotmail.co.uk
Judith Cole is a printmaker producing etchings, linocuts and wood engravings.
Her work is inspired by landscape, nature and medieval allegorical symbolism.
Telephone: 0795 229 3755
e-mail: judithinbath@hotmail.co.uk
Paul Eyles
Hand built coil pots made from red and white earthenware clay, using glazes for any decoration.
I would like to think that my pots have a simple elegance in their shape and a tactile quality to them.
Hand built coil pots made from red and white earthenware clay, using glazes for any decoration.
I would like to think that my pots have a simple elegance in their shape and a tactile quality to them.
Cathy Kelly
Digital Printed textiles and interiors
My imagery is primarily concerned with people and places, capturing the transitory nature of people living, working, visiting, playing and moving in a given space. Original, lively, spontaneous drawings and paintings, using different mediums, are the foundation of my work. The images are developed in photo-shop. The honey and mossy muted tones of Bath are the colour inspiration for this collection, with a repeat rose motif adding a splash of colour to the more subdued palette.
The prints exist collectively as an installation onto sheer fabrics thus creating a layered effect. I also develop the large drops as one off feature wall coverings and repeat print designs.
Digital Printed textiles and interiors
My imagery is primarily concerned with people and places, capturing the transitory nature of people living, working, visiting, playing and moving in a given space. Original, lively, spontaneous drawings and paintings, using different mediums, are the foundation of my work. The images are developed in photo-shop. The honey and mossy muted tones of Bath are the colour inspiration for this collection, with a repeat rose motif adding a splash of colour to the more subdued palette.
The prints exist collectively as an installation onto sheer fabrics thus creating a layered effect. I also develop the large drops as one off feature wall coverings and repeat print designs.
Dawn Lippiatt
Dawn Lippiatt is a sculptor interested in the fragility of health, life and physical circumstances. As a farmer’s wife, she explores contradictions between the rural and the urban, the real and the imaginary, and the need to be in control over the fear of being controlled.
www.dawnlippiatt.co.uk
dawn-lippiatt@hotmail.co.uk
Dawn Lippiatt is a sculptor interested in the fragility of health, life and physical circumstances. As a farmer’s wife, she explores contradictions between the rural and the urban, the real and the imaginary, and the need to be in control over the fear of being controlled.
www.dawnlippiatt.co.uk
dawn-lippiatt@hotmail.co.uk
Pat Mason
Pat grew up in London, and trained at Walthamstow School of Art and Birmingham University. She's worked as an art educator, administrator and curator but, apart from teaching occasional workshops, is now enjoying time to develop her painting. " My passion is colour and the works on exhibition are paintings in oil and acrylics on canvas, which have been inspired by the light and movement of fairground rides at night."
Contact: patmar.mason@yahoo.co.uk
Pat grew up in London, and trained at Walthamstow School of Art and Birmingham University. She's worked as an art educator, administrator and curator but, apart from teaching occasional workshops, is now enjoying time to develop her painting. " My passion is colour and the works on exhibition are paintings in oil and acrylics on canvas, which have been inspired by the light and movement of fairground rides at night."
Contact: patmar.mason@yahoo.co.uk
Richard Olver
My pictures are a celebration of the beauty of colour and form. Beginning from real scenes I often exaggerate, simplify or intensify to create a new image. They represent an ideal world, a statement of harmony against discord.
My pictures are a celebration of the beauty of colour and form. Beginning from real scenes I often exaggerate, simplify or intensify to create a new image. They represent an ideal world, a statement of harmony against discord.
Victoria Welsh
Bold oil paintings on board. Colourful stripes, circles and geometric designs. Inspired by the natural environment from a microscopic to a grand scale. I am interested in pattern, repetition, similarity and difference. I like to create layered and textured surfaces.
Bold oil paintings on board. Colourful stripes, circles and geometric designs. Inspired by the natural environment from a microscopic to a grand scale. I am interested in pattern, repetition, similarity and difference. I like to create layered and textured surfaces.
Spring 2011 Exhibition